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CRITICISM AS ESPIONAGE AND DESCENT AS TREASON

  

mingus.charlesmingus3art.com/a---_574.html


mingus.charlesmingus3art.com/index2.php?artikel=581&nfw=true

CRITICISM AS ESPIONAGE AND DESCENT AS TREASON  


JFK Secret Society Speech Re-edit

jfkresecretsocieties
http://youtube.com/watch?v=C56QlmgMSFU

3rd world backwater


youtube.com/watch?v=C56QlmgMSFU


++++++++++++
This is a video response to JFK-Secret societies PT2

youtube.com/watch?v=C56QlmgMSFU


youtube.com/watch?v=MS7l6i4w11U


serendip.brynmawr.edu/Mind/19th.html (1 of 4) [10/22/2007 12:19:07 PM]


youtube.com/watch?v=C56QlmgMSFU&mode=related&search=


CRITICISM AS ESPIONAGE AND DESCENT AS TREASON  

google.com/search?hl=en&q=CRITICISM+AS+ESPIONAGE+AND+DESCENT+AS+TREASON

youtube.com/watch?v=C56QlmgMSFU&mode=related&search=

+++++++++++++


"Beware the leader who bangs the drums of war in order to whip the citizenry
into a patriotic fervor, for patriotism is indeed a double-edged sword.
It both emboldens the blood, just as it narrows the mind.
And when the drums of war reached a fever pitch and the blood boils with hate and
the mind has'closed',the leader will have no need in seizing the rights of the citizenry.
Rather, the citizenry, infused with fear and blinded by patriotism, will offer up all their
rights unto the leader and gladly so. How do I know? For this is what I have done.
AND I AM CAESAR." --Julius Caesar

 

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

cgi.desert-sun.com/maggiedowns.shtml

Plantman Knows Where the Plants Will Grow
May 25, 1:46 p.m.
Wondering how I've been spending my time lately?

I've been watching plants grow.

No, really.

It's kind of like watching water boil, only a LOT more boring.




Aerogrow

The Boyfriend and I ordered an Aerogrow Garden for our kitchen, and we're probably the only people in the world who are legitimately
using it for basil and not for weed.

Yesterday we filled it with water and inserted the nutrient capsules and programmed the lights. And then we inserted the seed pods.

I'm actually a little disappointed the seed pods didn't suddenly sprout and go "bwooop!" and become full-grown plants before my very eyes.

"Well, they're not radiation seeds," The Boyfriend said. "They still have to GROW, you know. This just hastens the process."

But I just keep standing there and waiting and watching. I know that something has to happen at some point.

I think I watch too many cartoons.

cgi.desert-sun.com/maggiedowns.shtml





This is not a pipe
Jennifer's History and Stuff: You Asked, J Fielek Answers
 jenlars.mu.nu/archives/005331.html
He is the epitome of a storyteller. Robert Heinlein is not only a superb ....
 My father was a man with a rapier wit, and an intuitive understanding of all ...
jenlars.mu.nu/archives/005331.html -
magritte    
This is Not a Pipe (1968)
510 x 364 - 25k - jpg
foucault.info
Michel Foucault, This is Not a Pipe ...
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foucault.info
This Is Not A Pipe by René Magritte
444 x 311 - 64k - jpeg
www.artinthepicture.com
"This is not a pipe."
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www.tcf.ua.edu
... une pipe (This is not a pipe).
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www.anthonysmith.me.uk
This is not a pipe/bill/check.
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www.cartoonstock.com
"This Is Not A Pipe" - Rene Magritte
400 x 285 - 8k - jpg
www8.georgetown.edu
a picture of a pipe is not a pipe.
992 x 708 - 102k - jpg
ccat.sas.upenn.edu
Not a pipe behind the reflection.
2000 x 1482 - 526k - jpg
tevanalexander.com
Magritte - This is not a pipe
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www.doctormarcom.com
This Is Not a Pipe
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images.amazon.com
“I’M NOT LYING, THIS IS NOT A PIPE”:
466 x 922 - 20k - gif
www.ed.uiuc.edu
THIS IS NOT A PIPE... was the famous ...
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www.geocities.com
Ceci n'est pas une pipe
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www.cs.uni.edu
Because, of course, it's not a pipe, ...
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cgi.desert-sun.com
... “This is not a pipe”).
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enculturation.gmu.edu
I am not a car. / This is not a pipe ...
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www.csudh.edu
This is not a pipe.
605 x 503 - 121k - jpg
weblogs.java.net
this is not a pipe
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blog.postmodernvillage.com
... HBH-IV835: This is not a pipe
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crave.cnet.co.uk
This is not a pipe OR a lesson in ...
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www.artasauthority.com
http://images.google.com/images?q=magritte&revid=258878719&sa=X&oi=revisions_inline&resnum=0&ct=broad-revision&cd=1
René Magritte, La condición humana, ...
854 x 1163 - 64k - jpg
www.rci.rutgers.edu
Rene Magritte Images on the Web
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www.artchive.com
Rene Magritte Images on the Web
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www.artchive.com
René Magritte. The Lost Jockey.
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www.abcgallery.com
magritte
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www.leninimports.com
ART BY RENE MAGRITTE (Belgian, ...
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www.greatmodernpictures.com
René Magritte Le viol (The Rape)
220 x 295 - 15k - jpg
www.sfmoma.org
René Magritte The Treason of Images, ...
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www.west.asu.edu
René Magritte. 1936. The red model.
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nsm.uh.edu
... 1960 art print by Rene Magritte
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en.easyart.com
René Magritte
756 x 602 - 67k - jpg
www.mcs.csuhayward.edu
... potrebbe troppo facilmente ...
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www.flickr.com
Magritte Rene - LEmpire des Lumieres ...
314 x 450 - 11k
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Magritte - The Listening Room.jpg ...
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wahooart.com
... gave Magritte later one of his ...
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www.geocities.com
Jun 14 2007 6:22 AM
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profile.myspace.com
July 3, 2006 9:28 AM
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www.adpulp.com
Rene Magritte ...
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www.masters-of-photography.com
René Magritte
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www.mcs.csuhayward.edu
René Magritte, La condition humaine
500 x 617 - 30k - jpg
www.stanford.edu
Magritte pipe ...
510 x 364 - 25k - jpg
foucault.info

“I’M NOT LYING, THIS IS NOT A PIPE”:FOUCAULT AND MAGRITTE ON THE ART OF CRITICAL PEDAGOGY  James Palermo  Buffalo State College
                           images.google.com/images?gbv=2&svnum=10&um=1&hl=en&safe=off&q=this+is+not+a+pipe&btnG=Search+Images



                                                                                 


ed.uiuc.edu/EPS/PES-Yearbook/gifs/pal_pic.gif
foucault.info/ 
foucault.info/documents/foucault.thisIsNotaPipe.en.html
foucault.info/documents/disciplineAndPunish/foucault.disciplineAndPunish.torture.en.html
walden.org/Calendar/Post/index.htm 



     
Anonymous said
1. stewwebb.com
stewwebb.com/Terror%20Insurance%20...%20Offering%20Homeowners%20Terror%20Ins.html
(8 of 9) [10/22/2007 7:13:49 PM]

"Beware the leader who bangs the drums of war in order to whip the citizenry
into a patriotic fervor, for patriotism is indeed a double-edged sword.
It both emboldens the blood, just as it narrows the mind.
And when the drums of war reached a fever pitch and the blood boils with hate and the mind
has'closed',the leader will have no need in seizing the rights of the citizenry. Rather, the
citizenry, infused with fear and blinded by patriotism, will offer up all their rights unto
the leader and gladly so. How do I know? For this is what I have done. AND I AM CAESAR."
--Julius Caesar

google.com/search?gbv=2&hl=en&safe=off&q=MK+Ultra+Its+real+CIA+USA+LSD++Rumsfield+Chaney+drugs+child+prostution.&btnG=Search
MK Ultra CIA USA LSD
Rumsfield Chaney drugs child prostution.
MK Ultra Its real CIA USA LSD shit pile secret Rumsfield Chaney drugs child prostution.

MK Ultra CIA USA LSD
MK Ultra CIA USA
images.google.com/images?gbv=2&svnum=10&um=1&hl=en&safe=off&q=.MK+Ultra+CIA+USA+LSD+&btnG=Search+Images

Rumsfeld Cheney drugs child prostitution
images.google.com/images?gbv=2&hl=en&safe=off&q=+Rumsfeld+Cheney+drugs+child+prostitution.&um=1&ie=UTF-8&sa=N&tab=wi

Rumsfeld Cheney drugs child prostitution
google.com/search?gbv=2&hl=en&safe=off&sa=X&oi=spell&resnum=0&ct=result&cd=1&q=+Rumsfeld+Cheney+drugs+child+prostitution

Sorry, we couldn't find mk+ultra+cia+usa+lsd++http://images.google.com/images%3Fgbv.Here are some related websites:
google.com/hws/dell-usuk-rel/afe?hl=en&channel=us&s=http://mk%20ultra%20cia%20usa%20lsd%20%20
images.google.com/images?gbv=2&svnum=10&um=1&hl=en&safe=off&q=.MK+Ultra+CIA+USA+LSD+&btnG=Search+Images
images.google.com/images?gbv=2&svnum=10&um=1&hl=en&safe=off&q=.MK+Ultra+CIA+USA+LSD+&btnG=Search+Images
images.google.com/images?gbv=2&hl=en&safe=off&q=+Rumsfeld+Cheney+drugs+child+prostitution.&um=1&ie=UTF-8&sa=N&tab=wi

stewwebb.com
stewwebb.com/Terror%20Insurance%20...%20Offering%20Homeowners%20Terror%20Ins.html (8 of 9) [10/22/2007 7:13:49 PM]

"Beware the leader who bangs the drums of war in order to whip the citizenry
into a patriotic fervor, for patriotism is indeed a double-edged sword.
It both emboldens the blood, just as it narrows the mind.
And when the drums of war reached a fever pitch and the blood boils with hate and the mind
has'closed',the leader will have no need in seizing the rights of the citizenry. Rather, the
citizenry, infused with fear and blinded by patriotism, will offer up all their rights unto
the leader and gladly so. How do I know? For this is what I have done. AND I AM CAESAR."
--Julius Caesar
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
serendip.brynmawr.edu/exhibitions/
serendip.brynmawr.edu/exhibitions/samorost/http://serendip.brynmawr.edu/exhibitions/samorost/start.html
serendip.brynmawr.edu/exhibitions/samorost/start.html


Howard Hoffman ... On Life
serendip.brynmawr.edu/exhibitions/hoffman/
Bryn Mawr College
Lithography Workshop
A WWW Exhibit of Student Work
serendip.brynmawr.edu/exhibitions/Litho/Litho.html
serendip.brynmawr.edu/exhibitions/iceland/ ????
Svengali
images.google.com/images?svnum=10&um=1&hl=en&sa=X&oi=spell&resnum=0&ct=result&cd=1&q=+Svengali

Jennifer's History and Stuff: You Asked, J Fielek AnswersHe is the epitome of a storyteller.
Robert Heinlein is not only a superb .... My father was a man with a rapier wit, and an intuitive
understanding of all ...
jenlars.mu.nu/archives/005331.html -
serendip.brynmawr.edu/

Blue Raygun

Swiss Art
artlex.com/ArtLex/s/swiss.html
Excerpts: artlex.com/
Design - A plan, or to plan. The organization or composition of
a work; the skilled arrangement of its parts. An effective design is
one in which the elements of art and principles of design have
been combined to achieve an overall sense of unity.
Also, the production of attractive and well crafted functional objects.
Subcategories of the design arts include: architecture, bonsai, fashion
design, furniture design, graphic design, ikebana, industrial design,
interior design, landscape architecture, stagecraft, textile design, and Web
page design.

Examples of objects which were designed:

Korea, Openwork Incense Burner, first half of the 12th century,
celadon glazed porcelain, height 15.3 cm, National Museum of Korea.
While fulfilling its function, the design of this incense burner
artlex.com/ArtLex/d/design.html (1 of 9) [10/22/2007 2:10:06 PM]
juxtaposes plant and animal motifs with geometric openwork. See Korean art.


Kaspar Faber (German, 1730-1784), manufactured by
Faber-Castell, Germany, Lead Pencil, 1761, graphite and cedarwood. See pencil.
Walter Hunt (American,
1795-1859), manufactured by A.
Meyers & Sons Corp., USA, Safety
Pin, 1849, steel. These illustrations are from Hunt's patent application.
Thomas Alva Edison (American, 1847-1931), manufactured by
Edison General Electric (now GE Lighting), USA, Incandescent
Light Bulb, 1879, glass vacuum bulb, tungsten filament, and
aluminum base.

Carlo Bugatti (Italian, 1856-1940), Bugatti Table, wood (mahogany?), cast and
gilded metal mounts, inlays of ivory or bone, metal, and mother-of-pearl, height 71.1
cm, c. 1910, Tea and Coffee Service: Carlo Bugatti designer, executed by A.A.
ArtLex on Design
1. artlex.com/ArtLex/d/design.html (2 of 9) [10/22/2007 2:10:06 PM]
Hebrard, silver and ivory, c. 1907, Cleveland Museum of Art.
Hyman Lipman (American), manufactured by Faber-Castell, Germany, Wooden
Pencil with Eraser, 1858, graphite, cedar wood, rubber, and metal ferrule. See
pencil.
Peter Behrens (German, 1869-1940), designer, manufacturer:
Allgemeine Elektricitæts Gesellschaft (A.E.G.), Germany, Fan Model
No. GB 1, 1908, painted cast iron and brass, 11 1/2 x 10 3/4 x 6 inches (29.2 x 27.3
x 15.3 cm), Museum of Modern Art, NY.

American, manufactured by Fruit of the Loom, USA, White
T-Shirt, 1910s, cotton.
Eliel Saarinen (American, born Finland, 1873-1950),
designer, Manufacturer International Silver Company, Wilcox
Silver Plate Company Division (Meridan, Connecticut),
Prototype Tea Service, c. 1933-35, electroplated nickel silver,
brass, and Bakelite; Tea Urn, 1a-c: 14 1/2 x 7 3/4 inches (36.8 x 19.7 cm) Tray, 2:
diameter 17 1/2 inches (44.5 cm) Creamer, 3: 3 x 6 x 3 7/8 inches (7.6 x 15.2 x 9.8
cm) Sugar Bowl, 4a,b: 6 3/4 x 6 x 3 7/8 inches (17.1 x 15.2 x 9.8 cm) Large Tray, 5:
diameter 20 1/4 inches (51.4 cm), Metropolitan Museum of Art, NY. See prototype.
ArtLex on Design
artlex.com/ArtLex/d/design.html (3 of 9) [10/22/2007 2:10:06 PM]
++++++++++++++++++++++++++++++++++++++++++++++++++++++
artlex.com/ArtLex/s/swiss.html (5 of 7) [10/22/2007 2:08:14 PM]?
Daniel Spoerri (Swiss,
1930-), Prose Poems,1959-60, mixed media on
wood, 27 1/.8 x 21 3/.8 x
14 1/4 inches (69.0 x 54.2 x 36.1 cm),
Tate Gallery, London -- an actual meal as
abandoned on a board. See Fluxus,
rhopography, and ontbijt.

Jacqueline Scholten and Hannelore Holz
are two contemporary Swiss sculptors
who cast concrete figures and paint them.
l
ArtLex on Swiss Art
+++++++++++++++++++++++++++++
Oscar Wilde's quip
jimpoz.com - Oscar WildeJim's Favorite Famous Quote, Quip, Axiom, and Maxim Repository ...
The repository contains 67 quotes by Oscar Wilde. ...jimpoz.com/quotes/speaker.php?speakerid=36 -
Oscar Wilde crowned king of the quips - Yahoo! NewsPlaywright Oscar Wilde, who even
managed to mutter on his death bed "Either those curtains go or I do," was named in
a poll on Monday as Britain's greatest ...
news.yahoo.com/s/nm/20071015/ts_nm/britain_wittiest_dc -
Oscar Wilde (1854 - 1900) - Find A Grave MemorialHe was born Oscar Fingal O'Flahertie
Wills Wilde in Dublin, Ireland, ... In a note of irony, his famous death bed quip about
the wallpaper in his room at ...
findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=1102 -
Oscar Wilde (1854 - 1900) - Find A Grave MemorialIn a note of irony, his famous death
bed quip about the wallpaper in his room at ... Oscar Wilde thanks for your great work
of literature, remembering you ...
findagrave.com/pictures/1102.html -
Oscar Wilde's Debt To Samuel Johnson - New York TimesAn Oct. 22 letter
(''Small Bookstores, Still Blooming'') attributes to Oscar Wilde the quip that
second marriages show the triumph of hope over experience. ...
query.nytimes.com/gst/fullpage.html?res=9A02E2D9153FF93AA15753C1A9609C8B63 -
The Oscar Wilde FadThe contemporary reconstruction of Oscar Wilde (or any historical figure) ....
and pretending he is just another clever queen with a quip and an attitude.
zmag.org/ZMag/articles/articles/dec98bronski.htm
Oscar Wilde's quip "Be careful what you wish for "
images.google.com/images?gbv=2&svnum=10&um=1&hl=en&q=Oscar+Wilde%27s+quip+%22Be+careful+what+you+wish+for+%22&btnG=Search+Images
google.com/search?gbv=2&svnum=10&um=1&hl=en&q=Oscar+Wilde's+quip+%22Be+careful+what+you+wish+for+%22&ie=UTF-8&sa=N&tab=iw
Oscar Wilde's quip Oscar Wilde images.google.com/images?q=Oscar+Wilde&btnG=Search+Images&svnum=10&um=1&hl=enThelonious Monk's
images.google.com/images?svnum=10&um=1&hl=en&q=Thelonious+Monk+&btnG=Search+Images
images.google.com/images?hl=en&q=Thelonious+Monk's&um=1&ie=UTF-8&sa=N&tab=wi
google.com/search?hl=en&q=Thelonious+Monk&btnG=Search
John Coltrane google.com/search?hl=en&sa=X&oi=spell&resnum=0&ct=result&cd=1&q=John+Coltrane
images.google.com/images?hl=en&q=+John+Coltrane+&um=1&ie=UTF-8&sa=N&tab=wi
++++++++++++
This is a video response to JFK-Secret societies PT2
youtube.com/watch?v=C56QlmgMSFU
youtube.com/watch?v=MS7l6i4w11U
serendip.brynmawr.edu/Mind/19th.html (1 of 4) [10/22/2007 12:19:07 PM]
serendip.brynmawr.edu/Mind/19th.html (1 of 4) [10/22/2007 12:19:07 PM]
youtube.com/watch?v=C56QlmgMSFU&mode=related&search=
CRITICISM AS ESPIONAGE AND DESCENT AS TREASON
google.com/search?hl=en&q=CRITICISM+AS+ESPIONAGE+AND+DESCENT+AS+TREASON
youtube.com/watch?v=C56QlmgMSFU&mode=related&search=
+++++++++++++
" Love trumps hate "
John Avalon Author "Indapendant Nation"
The responsibility of the vital center.
illusions

ciglar.mur.at/Illusions.htm
moillusions.com/


art
guruhans.com/past/illusions.html
grand-illusions.com/opticalillusions/oblong_wave/
grand-illusions.com/acatalog/info_4.html
grand-illusions.com/acatalog/info_111.html
miss-chief.stumbleupon.com/tag/illusions/
images.google.com/images?hl=en&resnum=0&q=illusions&um=1&ie=UTF-8&sa=N&tab=w
The end of america Naomi Wolf
images.google.com/images?svnum=10&um=1&hl=en&q=The+end+of+america+Naomi+Wolf&btnG=Search+Images
The end of america Naomi Wolf 6PM C-Span Sunday
Image results for Naomi Wolfhttp://images.google.com/images?q=Naomi+Wolf&hl=en&um=1&ie=UTF-8&sa=X&oi=images&ct=title
Naome Wolf
google.com/search?hl=en&sa=X&oi=spell&resnum=0&ct=result&cd=1&q=Naomi+Wolf
centenary.edu/news/2006/March/gs-conference.html
Keynote speaker Naomi Wolf, who is the bestselling author of The Beauty Myth and other books,spoke on Friday
 night about the social expectations for beauty standards that pressure women
to obsess about their physical appearances instead of expending energy on worthwhile pursuits.
See advance article Snapshots of ACS Gender Studies Conference Held at Centenary College of
Louisiana March 24-25 SHREVEPORT, LA— The Associated Colleges of the South held its seventh
biennial Women's and Gender Studies Conference on the campus of Centenary College of Louisiana
March 24-25. Conference coordinators Drs. Kim VanHoosier-Carey and Michelle Wolkomir were
charged with planning and organizing the conference by Centenary Provost Darrel Colson nearly
one year ago and spent many months preparing for the weekend's events.
--------------------------------------------------------------------------------
washingtonmonthly.com/features/2001/0201.larson.html
January/February 2002
Of Corset Matters
A review of Valerie Steele's The Corset: A Cultural HistoryBuy the book
By Christina Larson
Of Corset Matters
Third-wave feminists waving copies of Naomi Wolf's The Beauty Myth once proclaimed that men had hatched an ominous
conspiracy to trick women into pursuing an impossible beauty ideal rather than real social progress. In The Corset:
A Cultural History, Valerie Steele lays waste to that doctrine by documenting the extent to which women, not men,
have historically policed the ideals of femininity, often in spite of the objections of bewildered men.
No Victoria's Secret bimbo, Steele is serious about her subject. In her hands, the history of fashion is treated as
a study of the intersection of beauty ideals with new technologies that enable them. Chief curator at the Fashion
Institute of Technology in New York, Steele teamed up with cardiologist Dr. Lynn Kutsche to investigate the havoc
wreaked by tight-laced corsets on women, from the late Renaissance Madonna Catherine de Medici to the more modern
Material Girl. Steele thumbed through early medical journals for accounts of corset-induced casualties and trekked
to the Smithsonian Institute to examine its collection of female skeletons with rib deformities.
Though commonly associated with Victorian upper-class matrons, corsets originated much earlier, in the 16th century,
and by the 19th had become a hallmark of fashion for women of nearly all classes. Practically compulsory for women
of aristocratic birth, corsets were also adopted by working women who aspired toward similar ideals of fashion. One
popular line of mass-produced corsets in the 1880s was the "Pretty Housemaid" model.
Fetishists aside, gentlemen of the 19th century did not strap their women into corsets in order to titillate their
erotic fancies, as some conspiracy theorists would have us believe. One male beauty writer, Ernest Feydeau, even
wondered in print why "the generality of women envy [these] elegant
monstrosities."
Many men, especially doctors, warned women of the dangers of lacing corsets too tight and some advised not wearing a
corset at all. Steele found that The Lancet, a preeminent British medical journal, published "more than an article
a year from the late 1860s to the early 1890s on the medical dangers of tight-lacing."
One famous rant against the corset in 1874, "Madre Natura versus the Moloch of Fashion," enumerates 97 different
"diseases produced by Stays and Corsets according to the testimony of eminent medical men." The alleged symptoms
ranged from the rational (impaired breathing and circulation) to the pseudo-scientific (heightened hysteria and
melancholy) to those characteristic of the premodern obsession with reproductive well-being (the inability to
breast-feed properly and the danger of miscarriage or deformed offspring).
That's not to say, though, that these early doctors were sounding the alarm in hopes to liberate women from their
lowly social status. Most of this early anti-corset literature was clearly misogynistic, maligning the waist-cinching
undergarment alternately as evidence and as cause of "innate" female irrationality. Instead, the male doctors'
concerns about women's health stemmed largely from their concerns over women's ability to procreate. Steele shows
that criticism of the corset increased during periods of low fertility.
Though absolved of the most drastic claims lobbed against it (Steele could not determine that any of the Smithsonianskeletons
were deformed by tight-lacing), corsets did contribute to a variety of milder ailments, including shallow
breathing, shortness of breath, atrophied back muscles, and potential difficulty in labor. Victorian heroines'
heaving bosoms and fainting tendencies were more likely induced by insufficient oxygen and upper-diaphramic breathing
than by arousal in the embraces of mustachioed lovers.
Despite the obvious physical inconveniences, as well as admonitions of both doctors and philosophers against such an
"unnatural" fashion---Thorstein Veblen condemned the corset as "a mutilation, undergone for the purpose of lowering
the subjects' vitality" in his 1899 Theory of the Leisure Class---the market for mass-produced stays was on the rise
in the late 19th and early 20th centuries.
Industrialization put fashionable garments within the reach of more and more consumers. Working women didn't need to
pay for tailoring once new steam-molding techniques allowed manufacturers to shape corsets on metal torso frames
ratherthan taking individual measurements. Catalogues made corsets available to women who didn't live near urban boutiques.
Trade journals such as The Corset and Underwear Review proliferated. Women also produced and peddled corsets. "By the
early nineteenth century, the majority of small and medium-sized corset manufacturers were women," Steele reports,
though she doesn't delve into who reaped the profits from this lucrative industry, which on the eve of the Second
World War raked in $65,000,000 annually (equivalent to nearly $2 billion today).
Women persisted in wearing corsets despite the obvious health problems for complex, and often counterintuitive,
reasons. We assume today that corsets were designed to attract men, but for Victorian women, waist-cinchers helped
establish a class-based pecking order within their own sex. While some early corset advertisements catered to the
fantasy of snaring a husband with a corset-enhanced figure, more common were ads showing women watching women. One
1882 trading card for the Adjustable Duplex Corset depicted two women peeking through a keyhole to discover "Why
Mrs. Brown has such a perfect figure."
The corset facilitated a pernicious association between physical beauty and virtue, as upright posture and a slender
waist came to be regarded as evidence of discipline, modesty, rigor, and refinement. Ladies who abandoned their stays
were scorned as both lazy and immoral. "Older women, not men, were primarily responsible for enforcing sartorial
norms," Steele writes. "The cultural weight placed on propriety and respectability made it difficult for women to
abandon the corset, even if they wanted to."
What eventually happened to the corset? First, a technological change: In 1960 DuPont introduced Lycra into the
manufacturing process, which made whalebone or metal frames obsolete. In effect, the corset became the girdle. Then,
the 1970s, with their bra-burning feminists, brought cries for less restrictive, more natural feminine fashions.
But Steele says the corset, with its moral and postural uplift, didn't vanish altogether. Instead, she doesn't stray
too far from Naomi Wolf, positing that the tools for achieving the feminine ideal have simply changed: "The corset
did not so much disappear as become internalized through diet, exercise, and plastic surgery." Men, though, no longer
seem to object to these body-shaping tools. Instead, they're adopting them. Perhaps that's progress.
Christina Larson is the associate publisher of The Washington Monthly.
This site and all contents within are Copyright © 2006 The Washington Monthly 1319 F Street N.W. #710
Washington DC. 20004.
washingtonmonthly.com/features/2001/0201.larson.html
--------------------------------------------------------------------------------
silverback.gnn.tv/blogs/15901/Ann_Coulter_and_the_doctrine_of_liberal_infallibility
B15901 / Tue, 6 Jun 2006 15:55:09 / Media
taking a quick break from writing – am almost there! – thought i’d share my latest procrastinatory vehicle with you.
Ann Coulter on liberal infallibility
what’s so interesting about this video clip is the way that psychological projection works. Coulter says that
because the 9/11 widows are mourning their loss and coming out against Bush, there is no way to reasonably
argue with them. it’s the doctrine of liberal infallibility. but isn’t that exactly the case made by the US
in attacking Iraq and Afghanistan? that we were hit and we needed to hit back? and whoever argued with us was
either insensitive, anti-American or a terrorist?
also, i can’t help but think that her description of the widows as ‘self-obsessed’ ‘millionaires’ ‘reveling in
their status as celebrities’* kind of describes her as well
silverback.gnn.tv/blogs/15901/Ann_Coulter_and_the_doctrine_of_liberal_infallibility
2
Where Have You Gone Joan Rivers?
by Terry Smith
Listening to conservative commentator Ann Coulter’s performance at this month’s Conservative
Political Action Conference (CPAC ) reminded me of a poor man’s Joan Rivers–a wannabe
comedienne who makes a sensible audience shake their heads rather than laugh. But the audience
at CPAC, intoxicated with racial and political bile, was anything but sensible. The mainstream
media has reported ad nauseam on Coulter’s reference to Democratic presidential candidate John
Edwards as a faggot. Far less accessible and controversial have been her anti-black and anti-Latino
remarks at the conference. For the full video of her remarks, go to c-span.org/. The
lack of outrage over these comments says much about the media and the American public whose attitudes
the media often reflect.
In describing Bill Clinton as "the first black president," Coulter remarked that he was "half white,
half trash." What does Coulter think of black Republicans? She patronizingly opines, "Our blacks are
so much more impressive than their blacks. . . . Who do they [Democrats] have–Maxine Waters?"
Surprisingly, she doesn’t care much for the Republican National Committee because "the RNC . . .
they criticize the catch an illegal alien game, so I don’t have a lot of respect for them."
Her advice to college Republicans who want to engage in political activism? Play the catch an illegal
alien game and "another great idea, the affirmative action bake sale." The affirmative action bake sale
is a conservative spoof on affirmative action in which cookies are sold to different customers at
different prices depending on their race and gender. One could argue that the bake sale isn’t racist
if he adopts the position that opposition to affirmative action is not racially motivated. Any such
conclusion, however, would require an amnesia of history and suspension of common sense views about
humanmotive–affirmative action requires whites to internalize some of the cost of historical discrimination
and to forego some ill-gotten generational advantage.
At another point in her presentation, Coulter exclaimed, "Democrats don’t even like blacks."
(I suppose Coulter and her CPAC cult are our best friends.) In another contortion of reason,
Coulter claimed that white liberalism was to blame for conservative college students offering
whites-only scholarships. (Don’t even bother scratching your heads.)
I’m not certain if it’s truly news that Coulter is anti-black-and-Latino and anti-gay. This,
after all, appears to be the way she makes her living. But why the media hasn’t dissected the
racism of her statements as much as the statements’ homophobia is a story in itself.
Posted by Terry Smith on March 7, 2007 02:33 AM Permalink
TrackBack URL for this entry:
blackprof.com/mt/mt-tb.cgi/875
blackprof.com/archives/2007/03/where_have_you_gone_joan_river.htmMonday, Jul. 02, 2007
I'm more of a man than any liberal.
ANN COULTER
talking with Bill O'Reilly on his Fox show about her aggressive stance toward politicians like John Edwards
Posted by CRIMES AND CORRUPTION OF THE NEW WORLD ORDER NEWS mparent7777 Marc Parent CCNWON at 11:31 AM
Labels: ANN COULTER, liberals, O'Reilly
anne coulter is a man?
images.google.com/images?svnum=10&um=1&hl=en&q=anne+coulter+is+a+man%3F+&btnG=Search+Images
mparent7777-2.blogspot.com/2007/07/ann-coulter-to-oreilly-im-more-of-man.html
Anonymous said...
The only woman Ann Colter ever takes a back seat to is Eva Braun.
Monday, July 02, 2007
dudehisattva.com/
theamericanmind.com/mt-test/archives/cat_books.html
theamericanmind.com/images/anncoulter-dead.jpg
dudehisattva.com/
--------------------------------------------------------------------------------
02/27/07 Cheney Unhurt in Bombing: Receives Medal of Honor 02/27/07 Cheney Unhurt in Bombing:
 Receives Medal of Honor
--------------------------------------------------------------------------------
Field Commander Cohen: Tour of 1979
leonardcohencroatia.com/album14.php
--------------------------------------------------------------------------------
nature.com/
nature.com/nmat/journal/v4/n7/fig_tab/nmat1413_F1.html
Figure 1 - Network models of the three known bicontinuous cubic phases in soft matter.
--------------------------------------------------------------------------------
From the following articleA triple-network tricontinuous cubicliquid crystal
Xiangbing Zeng, Goran Ungar & Marianne Impéror-Clerc
Nature Materials 4, 562 - 567 (2005) Published online: 5 June 2005
doi:10.1038/nmat1413
BACK TO ARTICLE
a, Iad (G). b, Pnm (D). c, Imm (P). The two interpenetrating networks are coloured blue and yellow.
White lines delineate the unit cell.
2
nature.com/nmat/journal/v4/n7/fig_tab/nmat1413_F3.html
Journal home > Archive > Article > Full text > Figure 4
Figure 4 - Network model of the Im̅3;m (I) structure and the average radial distributions of
volume for lamellar, columnar and different cubic structures.
--------------------------------------------------------------------------------
From the following article
A triple-network tricontinuous cubicliquid crystal
Xiangbing Zeng, Goran Ungar & Marianne Impéror-Clerc
Nature Materials 4, 562 - 567 (2005) Published online: 5 June 2005
doi:10.1038/nmat1413
nature.com/nmat/journal/v4/n7/fig_tab/nmat1413_F4.html
nature.com/


 

 


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